b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | The Angel with the key to the Bottomless Pit | Portrait of Barbara Durer | Die Vier Apostel | The Prodigal Son Amid the Swine | Lamentations Over the Dead Christ |
Related Artists:
BRAKENBURG, Richard
Dutch painter (b. 1650, Haarlem, d. 1702, Haarlem)
Marlow, William
English, 1740-1813 English painter. From c. 1756 to 1761 he was a pupil of Samuel Scott, the topographical and marine painter; he also studied at the St Martin's Lane Academy, London. Throughout his career Marlow made oils and watercolours of London views, for example Near Westminster Bridge, Evening (London, Guildhall A.G.), which shows his balanced, classical sense of composition, sensitivity to lighting effects and smooth handling of oil paint. Between 1765 and 1766 Marlow travelled in France and Italy, making numerous drawings of ruins, which provided the subjects for many paintings finished on his return to London. An Oxcart in the Grotto of Posillipo (c. 1770; New Haven, CT, Yale Cent. Brit. A.) exemplifies his bold, blue-toned watercolour style, with washes applied in loose blotches to emphasize the picturesque roughness of masonry and terrain. The handling has much in common with Canaletto, whom Marlow copied; a letter of 1771 from Horace Walpole to Sir Horace Mann (see 1956 exh. cat., p. 3) records that two views of Verona by Marlow were mistakenly sold as Canalettos. Marlow specialized in souvenirs of the Grand Tour, portraits of country houses, seascapes and river scenes. He visited many parts of Britain and Ireland in search of subjects, such as Powys Castle, Montgomeryshire (U. Manchester, Whitworth A.G.).
Albertus Pictor
c.1440-1509,English also called Albert Pictor, Albert Målare and Albrekt Pärlstickare (Swedish), is the most famous late medieval Swedish painter, known for his wallpaintings surviving in numerous churches in southern and central Sweden. Albertus was originally called Albertus Immenhusen, after the German town in Hessen of which he was a native. He occurs in Swedish historical sources from 1465, when he was admitted a burgher of Arboga. Eight years later he moved to Stockholm, where, in accordance with current practice, he took over the workshop as well as the widow of a deceased painter. He was a versatile and prolific artist, known to his contemporaries not only for his church wallpaintings, but also as an organist and embroiderer (hence his nickname of Parlstickare, Pearl-embroiderer). More than thirty of his schemes, mostly in a secco technique, are extant, many in the Lake Malaren region, about a third of which bear his signature. Notable examples include wallpaintings at Bromma kyrka, near Stockholm, Lid kyrka, in Sodermanland and Taby Kyrkby kyrka in Taby. Part of his life and work are depicted in the illustrated book, Albert malare och sommaren i Harkeberga (Albert the Painter and the summer in Harkeberga), which describes his painting of the small church of Harkeberga in Uppland (see below).